Happy Halloween 2014

Hello All,

This is just a quick blog post to wish you all a Happy Halloween. May your tricks be forgiving, and your waistlines just the same, with the treats you tuck in to.I hope you all survive the night and don't get grabbed by ghouls and goblins, what ever you have planned.

My plans are a bit subdued this year. My friends and I will be carving pumpkins, baking some cookies, watching scary films and then retreating under our blankets; probably all before ten o'clock this evening. Oh the joys of being hardworking third-year students.

Also, a quick mention that this week I have finally gotten around to playing the spook-tacular (sorry) Silent Hill 2, a game which every gamer and horror buffs should experience. I have been rather neglectful, until now, of the long list of games that are must plays. Weirdly, what put me off playing wasn't the horror, as I don't find it that scary. It was the rather archaic controls, but once I gave it time they have grown on me. So, now I can add that badge: 'met Mr Pyramid Head to my gamer belt.

How are you guys spending your Halloweens?
Share with us in the comments below.

I wish my meeting with Pyramid Head was this pleasant.

Happy Halloween banner from PDFfun, Silent Hill image from wall4all.

My Top Five What To Watch This Halloween

Halloween is one of those festive events that naturally goes hand in tentacle with watching a film. It makes sense, if you can't travel outside, in case of ghost and goblin attack, you may as well stay indoors and drool over the screen.

 It is made all the better when you invite your friends round to share in the horrors you watch. Also if you really are unlucky, and befall a monster, it helps that all you need to do is outrun your nearest and dearest.

In case you are in a quandary as to what to watch this year I thought I would make some suggestions. So, here are my top five films to watch around Halloween.

1. Cabin In The Woods
   I am a self-confessed Joss Whedon worshipper, but that doesn't stop this being an amazing film. It presents itself as your typical horror flick, yet beneath its calm surface is an intelligent commentary on the whole horror genre. A great film that isn't too scary or gore filled, with enough twists and turns to be genuinely entertaining.


2. Sleepy Hollow/ Sweeney Todd/ The Corpse Bride/ Beetlejuice 
   Basically number two is anything made by Tim Burton (if they star both Johnny Depp and Helen Bonna Carter you get extra points). Like Joss Whedon I have a lot of love for the emo of Hollywood and always enjoy a Burton film. All four of these are brilliant films and demonstrate Burton's distinct cinematic direction. This year I will probably choose Beetlejuice as I haven't watched in some years. 'Beetlejuice, Beetlejuice, Beetlejuice'...


3. The Nightmare Before Christmas/ Coraline 
   Another director who specialises in making the darker side seem simple and innocent is Henry Sellick. A brilliant stop-frame director who created a film that has probably had the biggest influence on me (The Nightmare Before Christmas). Anyone who is confused at this point and thinking I put The Nightmare Before Christmas in the wrong place needs to go stand in the corner with the dunce hat.


4.  Alien/ Aliens
Lets get a classic in this list shall we? Both of these are great horror films from a time when directors, like Ridley Scott and James Cameron, understood tension isn't cheap scare tactics (Sinister, cough... cough...). The tight corridors of Alien create a genuine sense of claustrophobia and the horror flows naturally. Aliens fear draws from overwhelming odds and an objective that is worth protecting. Whilst they may now be showing their age, especially the wind-up beast that flies out of John Hurt, the unease never fades.



5. Ringu
   Readers of my blog will know that I recently watched the Japanese original that inspired The Ring. I fell in love, and disgust, with it instantly. Once again the maker didn't rely on showing the monster, nor cheap jump scares. Instead the director used everything from subtle camera angles, background side effects and cheaper production values to create something truly unnerving. One of the few films that almost got me jumping behind the sofa. To check out my full review see Here.

   

   This sums up my childhood I think...
   Which probably explains a lot.

   
   

That's my full list. What did you think? Do you agree or disagree with my choices?


What are your thoughts, let us know in the comments section below.

Halloween banner from anarchyonstardoll, Tim Burton artwork from fanpop,

Gone Girl Book Review

This review will be SPOILER FREE.

The latest blockbuster to hit cinema screens in the UK is Gone Girl, a mystery/thriller based on the popular Gillian Flynn novel. After seeing trailers for the film I couldn’t help but be intrigued by the premise, the fact that it stars Neil Patrick Harris also helped. In line with what people describe as my hipster nature (I swear I’m not), I decided to read the novel before I go and see the film (OK maybe I am a bit of a hipster).

The premise of the novel is:

After five years of marriage (which has become progressively hostile), Nick Dunne comes home to discover his wife, Amy, is missing.  With no clues as to what happened other than a battlefield of a living room and the treasure hunt his wife had prepared for their anniversary. Soon Amy’s disappearance attracts the attention of the media, starting a state-wide manhunt that demands answers from Nick, who soon finds himself the prime suspect. Could the treasure hunt be the key to finding his wife, saving his marriage and himself?

Gone Girl (the novel) takes an interesting narrative viewpoint, the chapters alternate between the present from Nick's point of view and Amy’s diary extracts at key points in their past. In this way the reader gets to know both character's inner thoughts and often hear their opinion in very specific detail. We are inside both of their heads which helps create an intimate connection with them. At first having every opinion expressed made it seem rather slow and too hung up on precise detail. I found the first few chapters a bit of a slog, feeling like it was a little unnecessary to know what Nick thought about crepes. Then something clicked, and turned to the books advantage. I began to feel rather uncomfortable as I read. Seeing reflections of my personal relationships within their own, believe me this made me worry, their lives are not not something you want to replicate. However, this is the power Gone Girl has over its reader. By feeling intimately connected with the characters you gain an understanding of why their lives were doomed when they became entwined. It may be too late to save them (not a spoiler), but not yourself.

I did find some reassurance after I finished, and I realised that the sensation I felt was merely an illusion. I had felt a similar feeling when I read Jon Ronson’s The Psychopath Test. In one chapter Ronson described how a psychopath acts, I found myself thinking:

     ‘Oh god I match this profile!’ 

Thankfully, the passage that followed this stated that a key flaw of a psychopath is that they would never imagine themselves to be one. There is a natural response in humans to see ourselves in everything we read. It’s the same thing that makes hypochondriacs thinking they will soon stop ticking.

Gone Girl evoked a very real sense of fear for me. Not a fear constructed from horror, but a much more chilling one. A fear based in reality, the possibility that our lives are beyond our control. The underlining message of the book concerns manipulation of the people by different sources. Characters in the novel are controlled by the pressures they face, whether that be from loved ones, society or the media. It made me start to question my own life, which created a polar response in my mind. Part of me wanted to throw the book down and shut myself away from questioning my life, whilst half of me was hooked in a morbid fascination and hope I could learn how to overcome any threats to myself. Of course these fears are unfounded, and I soon shed their power over me when I reached the conclusion.

Gillian Flynn’s characters are therefore, warrant of praise; rarely do I read a novel which contains such realistic depictions as those in Gone Girl. Even the characters that only appear on the side-lines of the story are fleshed out in just enough detail. The relationships between them are believable too. Its exploration of marriage, blood ties and friendship is brutally honest and doesn’t pull punches. I saw reflections in many of my family ties whilst reading too.

More praise has to be given to the clever narrative, which as I mentioned lets the reader know the inner-most thoughts of Amy and Nick; despite this, the narrators can  also be very unreliable. We may know what they are thinking, but that doesn’t mean we have the full clarity of their intentions. Throughout the book I wanted to believe that Nick was innocent, yet I was in as much doubt as the characters within the novel. At one point Nick checks an unregistered phone with little reference to why he is carrying one or how long he has had it. By withholding the right amount of information to the reader Flynn kept me guessing all the way through.

My only nit-pick with the book is some of the events that lead up to its final act. A few events felt a bit rushed and inconsequential other than to drive the plot forward. That isn’t to say that they aren’t needed and they do serve a purpose. But, any other manner of events could have been used and they felt a bit unrelated to what had come before.

Gone Girl in my opinion is great and I would definitely recommend it to anyone who is interested in crime thrillers and mystery. Having said that, I am not a reader of those genres myself and still I was enthralled. I loved the in-depth discussion the book had about relationships and power plays, which kept me hooked and philosophising throughout.  




Cover image from esquire,

Halloween - Practical Magic

It’s October, which can only means one thing: the supermarkets are acting rather schizophrenic right now. Half of the shops shelving is being taken up by Christmas tat (despite the fact that it is about three months away); the other half is still clinging onto a sense of everyday life. The untouched part is worryingly eyeing up what happened to a large portion of the floorplan, dreading when its tinsel-time will come too. Christmas aisles are like a virus, one that we have no hope of stopping before it spreads. Then there is one lonely aisle, perhaps one and a half if its lucky, dedicated to an event that is actually coming rather soon: Halloween.

This yearly cycle always frustrates me, not because of ridiculously early preparation which angers most people. But because of the way Halloween gets overshadowed. Last year, for instance, some shops were pulling down their Halloween stock the week before the 31st of October. In its place stood more Christmas stock, seemingly five other shelves just wasn’t enough.

I love Halloween, perhaps more so than Christmas. There is less pressure to be happy, to see people and generally less expensive; it makes the experience overall more fun. Christmas becomes so hyped with expectations that it can never live up to it. After eagerly opening my advent calendar last year I spent the actual day watching TV like a zombie. I didn’t even like the programmes that were on, nor do I watch TV regularily (for some reason becoming a student actually made me more proactive, clearly an oddity).

Halloween on the over hand, is barely celebrated in the UK and what is celebrated isn’t my take on it. I don’t trick or treat (often), I don’t have a séances board (the Milton Bradley board game that’s fun for the whole family, even great, great, great grandpa Joe) and I am not part of a cult. What I actually do is bake, carve pumpkins, dress up with friends and watch a scary film.

My personal belief of Halloween is similar to the older Pagan views and other festivals like Obon (Japan) and Mexico’s Day of the Dead. Basically I believe if anything does happen on Halloween it is that the spirits come back to our world once again. Not to spook us out of spite, I can’t imagine the dead would make the effort just to troll the living, but to revisit their ancestors. Having said that I am a realist at heart and don’t hold much belief in ghosts anyway.

Last year for my first blog SaxonDaze, I reviewed a ghoulish confectionery item each day for October. For this blog I plan to celebrate by charting the best and worst examples of horror related games, films and books.  The first of this could have begun with a review of PracticalMagic, which Amy (from the Willow Web) and I watched recently. It won’t however, partly because it would be a rant rather than a review. But mostly because it is one of Amy’s favourite films and I really don’t want to be slapped.

I will briefly discuss some of my VALID reasons for disliking the film and I will try to back them up. Firstly I felt it have a few pacing problems. There were moments in the film were time will have moved on in the story with little indication as to how long has passed. It left me rather confused on more than one occasion.

Scenes seem to change at whim, sometimes I thought it changed without fully completing its purpose. Scenes like one where one of the sister visits to comfort the other. One moment they are talking in bed and raising each other’s morale, the next they are back to everyday life. They had about two or three lines of comforting each other, acting rather sombre, before skipping to the next moment where they are laughing and joking. It is a technique that, if handled properly, could be effective. If we know the characters well enough we can assume what may have occurred between them.But I didn't really connect enough with them, I didn't feel like I had time to. Any poignant or character building moments flashed to the next. In my opinion the scenes change a lot without indication of time, purpose or place and felt rather jarring.

I think the main issue is the source material. It is based on a moderately long book and a film with a running time of around 90 minutes can’t hope to do justice. It does devote a lot of time to other scenes, usually ones featuring cheesy nineties pop and cringe worthy family fun. I understand the need for this as the relationship is the films focus and in films it is better to show and not tell. I am not asking for dialogue where characters just say 'Oh what fun we had earlier'. However, had they made it a bit longer they could have avoided the many times in which scenes change without much explanation. It made it seem rather erratic and flighty to me.

Here looking like Mary Poppins with magical powers

My second issue is the male characters, who really lack any personality of their own. They are pretty much stock characters; you have the perfect husband who tragically dies, the dream guy and then the abusive one. None of them say very much and what they do say is rather cliché. Again, I think this comes down to time: the men aren’t really the story and therefore don’t get the screen time to be fleshed .

Also the treatment of the men in the film is rather worrying. Both the perfect husband and dream guy fall in love due to spells cast upon them. They have no choice but to fall in love and possibly die if the sister's curse is to be believed. The main character doesn’t even warn her husband of the curse that befalls men who marry into her family. The other sister isn’t much better and often drugs her partner each night after sex; I’m pretty sure that is illegal in most states. You could say it is refreshing that it is men who are finally getting these poor character profiles, but really that is a poor excuse.

Overall you could say that I wasn’t very taken with Practical Magic. I know the film doesn’t really target me as its audience, but that’s a flimsy excuse. Many may argue that technically it isn’t a horror film and shouldn’t be the beginning of my horror themed posts. On the other hand, from a male perspective, it is a rather chilling tale of men being controlled by the magic surrounding two sisters.

I will now pass over to Amy at the Willow Web, if she would like to respond to my criticism.




Halloween Image from Pics Hunger, Practical Magic image from Daniella's Bureau, Film still from Spooky Things Online

My Year of Meats by Ruth Ozeki

It isn't often that a book makes me feel physically sick and I still keep reading. Especially if what is making me feel sick is a harsh truth about the way we live. I read books to escape from reality, so why would I continue with one that highlights the worst aspects of society?

My Year of Meats by Ruth Ozeki showed me uncomfortable truths. The fact that I fought with discomfort to the end demonstrates how compelling the story, or more accurately the characters are. This is the second novel of Ozeki's that I have enjoyed after recently finishing  A Tale for the Time Being; which I read shortly after returning from Tokyo as I pined for the Japanese way of life.

Note: This review contains NO spoilers!

Ozeki was born in America. Her father was American, and her mother was Japanese. This split-cultural background clearly drives her choice of story. Her novels I have read both feature the two cultures coming together. She draws from her own feelings towards heritage to make her characters' behavior believable. One of the characters, Jane, shares the same mixed parentage as Ozeki and I'm sure she has imparted her own personal insecurities. A reoccurring theme within both novels is a struggle to understand yourself and find somewhere that feels like home. Despite my own background being rather straightforward, I share the sense of limbo her characters experience.

Within My Year of Meats, the uncertainty that Ozeki explores is love and integrity. The novel focuses on two very different women; Jane, a documentary filmmaker in America, who struggles with a career that she loves, but one makes her question her beliefs, and Akikko, a Japanese housewife trapped in her marriage.

During the course of making a cookery show, Jane discovers horrible truths about Western food and finds answers to a personal mystery. She battles to show the truth about the meat that the show's producers would rather not be revealed. At the same time, across the globe in Japan another woman, Akikko, watches the show and begins to question her marriage, her society and even her sexuality. Both women become linked by the two sides of the lens and, though their countries are different, the issues they face in life are the same.

The novel interested me on multiple levels. I set out to read it due to my obsession with Japanese culture. Once again, Ozeki doesn't pull punches in her portrayal of Japanese society and this time sheds light on the darker aspects of being a housewife. I genuinely felt trapped like Akikko, as I read her side of the story. Part of this came from my own knowledge of the relationship dynamic in Japan, but it is Ozeki's writing style that brought it into sharp focus.

On another level, the novel revealed more to me about the meat industry. Thankfully I am not a voracious meat-eater anyway; I tend to stick to white meat and fish. My almost vegetarian existence isn't political or down to disgust, simply a matter of taste. But after reading the novel I am glad that I don't like beef anyway. Many parts showing the way in which cattle are bred made me feel ill. I was disgusted at the ways society is desperately trying to feed our escalating population. During these parts it would have been very easy to give up in disgust yet, due to her enticing plot, I read on. It was like coming across a car crash on the motorway: you know you shouldn't want to see it, but curiosity keeps you watching. I am sure that, like me, any reader will come away from reading this with their eyes open.

If I have one criticism of the book it is the ending. Whilst some plot details were wrapped up rather conveniently for my liking, others were left open. Sometimes this isn't a problem and it is rather refreshing when a novel leaves it up to your imagination. However, in this case I felt a little cheated. It really isn't a big point and the rest of the novel far outweighs this gripe.

One aspect I love about the book is how the characters stories are told. The book is split into sections and the point of view switches between the characters. Thankfully, it is clearly shown whose head we are in at all times and it doesn't become confusing. Nor does the switches happen too frequently as to become annoying.

Overall, My Year of Meats is a brilliant read for those who want to dip into another culture. It sheds light on Japanese and American life, as well as death. Along the way it questions relationships, identity, media bias and the food on our plates. I highly recommend both the book and other works by Ruth Ozeki.

Cover image from Madison, beef image from teacher-chef.

#HeforShe: Strong Female Characters

The big news as of posting is Emma Watson's recent speech to the UN as the ambassador for the #HeforShe campaign. I firmly support this movement and hope it can bring about some fresh change.

I have never called myself a feminist, equalitist yes, but not a feminist. In my head a feminist is someone who wants to flip society and give men a piece of their own patronisation. Since SheforHe I have realised this is an outdated view of feminism. The new wave seeks to not only promote woman's rights to be equal to men, but also to allow men to also be free express themselves.

The movement seeks to break down barriers of how society dictates your gender. I would describe it more, but I fear I would do it a disservice. Instead I will incluede a link to Emma Watson's amazing speech below.

My interest of the movement led me to attending the Winchester University Feminist Society. Where during a round of introductions we had to say our favorite female character. This task has created the inspiration for this post of my top females in fiction (in no particular order).

• Morrigan from Dragon Age: Origins
  Morrigan was my first thoughts when I thought of a female character I admire. When faced with her world's saviour how does she react? With mistrust, sarcasm and disinterest of course. Yet, over time as he/she proves themselves she can, depending on your choices, soften to you. She is a powerful sorceress and becomes your most powerful ally. Then I read this article, specifically point 2. I realised that she does in sleep with the hero as a plot device, this caused me to question whether she is that strong. Then I remembered that, after the ending, she scarpers with the baby. She has her own goal and that child has a use to her. Also if your main character is female she doesn't jump in bed with you, instead she encourages you to for the same dubious purposes. The child is significant to her in both cases, clearly it wasn't just to save you. Added to this there are points when she is rather vulnerable and the walls of sarcasm fall. After all, if your mother raised you solely to prolong her
  own life wouldn't you have trust issues?
  


• Maleficent from Sleeping Beauty/KingdomHearts
  I will admit I haven't seen Sleeping Beauty; and I won't be talking about the latest Maleficent film. Not that she isn't strong in it, she is; especially during the film's darker moments. But when the film tries to soften her villainous intent she gets too sentimental. Maleficent in KingdomHearts is the example I want to mention. Here she leads an army of Heartless (evil shadow creatures), is the head of a league of evil characters (which includes male villains like Hook, Oogy Boogy and Hades) and manages to resurrect herself from the dead. Yes she is beaten in the first game, but she comes back stronger than ever in the second. She is still somewhere in the game's universe, plotting her return. Plus, she turns into one badass dragon, which is a pain to defeat.






• Sally from The Nightmare Before Christmas
  
  Sally is trapped physically by her creator/dad, Dr. Finklestein, and emotionally, by her unrequited love for Jack. She escapes both of these on her own, and manages to save Jack from Oogy Boogy and himself. She is strong-willed and street smart despite being a typical sheltered child. Her personality isn't rough and ready; instead she is deeply caring and eager to help those around her.


• Alice from Alice's Adventures In Wonderland (the novel)
  I think if I fell down a hole into a world of nonsense I would have no clue on where to go. It wouldn't take long for me to give in and breakdown. Alice doesn't, instead she plays the mad inhabitants at their own game and succeeds multiple times. Add to this that she is still a child and I feel rather ashamed.
  


• Elizabeth from The Girl with the Dragon Tattoo
  Elizabeth, or Lisbeth, is a very complex character. With a troubled childhood and a social disorder, she could easily allow herself to be manipulated by society. But she doesn't, even when government agencies and psychopathic individuals try to stop her she fights back. Usually with her own sense of justice which can be rather brutal. She also isn't afraid to connect ties with her love interest, in doing so she asserts her independence. She is a fascinating character due to her amoral attitude towards everyone and everything. She sees no differences between people and only judges on their actions.
  

Honourable mentions:

• Princess Zelda, specifically in Ocarina of Time (Not just a kidnapped princess in another castle!)
• Female Commander Shephard from Mass Effect (Literally can do anything Male Commander Shephard can do)
• Lana Winters from American Horror Story: Asylum

Before I end I want to make you aware that #HeforShe stresses that they also want to promote male rights as well. The right for men to express themselves freely without being judged. For this reason I will follow up this post with examples of male characters who don't adhere to their gender.

I also throw the gauntlet down to fellow blogger Amy Elize at The Willow Web to give her list.

Link for Emma Watson's UN speech.

But I also want to know what you guys think.
Who are your favourite characters who transcend gender?


Let me know below.

Morrigan image from Dragon Age Wikia, Maleficent image from KingdomHeartsfanon, Sally image from Writeups, Alice image from e-reading, Lisbeth image from minkmagic.