What show show could draw such crazy sights? Monty Python Live of course. If the posters are to believed this is the last tour the Python's (John Cleese, Eric Idle, Michael Palin, Terry Gilliam, Terry Jones and Graham Chapman [via old footage]) will ever perform. Not only this, but it also marks their first tour together in thirty years. Both factors have made this a hard to miss experience for a comedy nut like myself. Having said that it was actually rather easy for many to miss the show, Tickets for the first performance sold out within 35 seconds- I was lucky to get mine.
'This is a dead parrot.' |
Far from being made to feel excluded, instead I picked up on the surrounding excitement and eagerly awaited the Python's return. I couldn't help it, there was a buzz in the air. People flocked to the aforementioned dead parrot statue (an homage to one of their best known sketch) to have photos taken. Some people were dressed as famous characters too, there was an air of silly-ness that lends itself to the Python's style of humour.
The stage dressing as a show in itself. |
The various sketches were all short and wonderfully silly. Often about noisy body functions, awkward situations or something exploding unexpectedly. In between whilst the set was dressed or even the actors themselves, animations of Terry Gilliam were shown on a screen above the stage. It is these animations that have put me off Monty Python in the past. I can't help but find it's art style slightly creepy, especially the announcer who literally lets his mouth get the better than him. It doesn't sit right with me, but never the less the show was amazing.
I left feeling like I had been doing comedy a dis-service in not giving Flying Circus a proper chance in the past. Something I vow to do now, after all I have the box set.
Well at least they are honest. |
Whilst the show may be their final tour and the last night has passed, it was broadcast on TV. I'm sure anyone not lucky enough to get tickets can watch it too, I certainly urge you to. The reunion is long overdo, both the audience and the performers